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<channel>
	<title>honghuoart</title>
	<link>https://honghuoart.com</link>
	<description>honghuoart</description>
	<pubDate>Sat, 30 Mar 2024 20:42:14 +0000</pubDate>
	<generator>https://honghuoart.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Strange Dwelling</title>
				
		<link>https://honghuoart.com/Strange-Dwelling</link>

		<pubDate>Fri, 31 Dec 2021 02:50:51 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/Strange-Dwelling</guid>

		<description>

During the isolation of the 2020 global pandemic,
I started a new body of work called Strange Dwelling, where I blow the
mixture of ink and soap water into bubbles to create spontaneous images with
abstract ink drawing on various surfaces. In my MA show Flow (2021), I
created a multimedia installation using the digitally animated ink drawings to
create an immersive space that exists in multiple layers of time, for me to
find serendipity through the mark-making process on site as presence, with the
ready-made animation being projected as the past. Through the presence of the
bodies, the reality of both past and presence of my existence become unified. This
is to me a process of physically giving life through my own breath, gestures,
and body movements.


 





	Strange Dwelling/异居图Live Performance and multimedia projection
In collaboraiton with Mayu Nakaya
UAAD Festival: Jukebox of DissonanceNYC, October 2024



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	Ink drawings:


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&#38;nbsp; 

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	<item>
		<title>In Conversation</title>
				
		<link>https://honghuoart.com/In-Conversation</link>

		<pubDate>Sat, 30 Mar 2024 20:42:14 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/In-Conversation</guid>

		<description>&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/44a9ca7d8b187f3c7e1f1884010b8b870a2b7c08cf6233e2f44b24f82c7b74d1/IMG_0053.jpg" data-mid="207930296" border="0"  src="https://freight.cargo.site/w/1000/i/44a9ca7d8b187f3c7e1f1884010b8b870a2b7c08cf6233e2f44b24f82c7b74d1/IMG_0053.jpg" /&#62;


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What is my language? Why is it so hard for me
to communicate my thoughts with others sometimes? What would my languages look
like if they were just lines and shapes? And how would others interpret them if
they perform as illegible forms? These are the questions that triggered my
exploration and experiment in this exhibition. With the opportunity to show
work in the “Glass Gallery,” I want to explore some of the non-traditional ways
to have a conversation with others without verbal or written forms, on each side
of the glass in the outer space of the gallery, in an asemic style*, through
our hands and body movements, without any language barriers.&#38;nbsp; 



Inside the gallery, like a paradox, I want to
criticize how we are expected to formally, or informally present ourselves
through written and spoken languages in the public domain today through digital
media. The projection on the black wall shows a digitally animated “manifesto”
I wrote in both English and Chinese, moving in a way that purposely does not
allow the viewer to read or see it fully. For me, either of the two languages I
speak or write gives me full freedom to express myself. The monitor shows a
video titled Self
Talk, a
digitally designed “Instagram reel” of me reading and talking to the viewers in
my native language, but there is no audio, or a correct transcript/translation,
so what I really said remains unknown to the spectator—seemingly an act of
refusal to communication, yet one that gives me true freedom of expression in a
fictional, personalized, digital space. Both pieces should make the viewers
question the meaning and authenticity of our communication today, especially
within the digital filter of our technology and media culture.&#38;nbsp; 



I want to tickle the multiple nuances hidden
beneath our everyday activity and performance in the physical and digital
world, even when we are trying to be authentic, our language, our social
expectations of ourselves, and our technology sometimes draw us further from
ourselves and what we truly want to communicate. However, even with the trauma
of inefficient communication, I would think about the time when I encountered
the Holy Spirit for the first time. The warped writing on the wall is asking
questions while meditating on the voice that communicates beyond our language
or any tools or technology, calling us to seek the truth in our broken
communication systems, to find hope and liberation in a not-so-typical
“conversation.” 



------------ 
*Asemic writing is writing that does not
attempt to communicate any message other than its own nature as writing. (Peter
Schwenger, Asemic The Art of Writing, Chapter 1 “What is Asemic Writing
and Why”)&#38;nbsp; 






 





	In ConversationInteractive and multi-media installaion, 2/09-3/08/2024 
Shown at the “glass gallery”, Department of Art and Design, Messiah University
esearch and
 &#38;nbsp;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d8a12a7e1728e7fc8bf7179356d28e53ba85c6ba87cc9ddc2e238aa9e325349f/IMG_0046.jpg" data-mid="207930295" border="0"  src="https://freight.cargo.site/w/1000/i/d8a12a7e1728e7fc8bf7179356d28e53ba85c6ba87cc9ddc2e238aa9e325349f/IMG_0046.jpg" /&#62;
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In Conversationvideo documentation, 2/09-3/08/2024 Shown at the “glass gallery”, Department of Art and Design, Messiah University
Video Do</description>
		
	</item>
		
		
	<item>
		<title>"How Are You Feeling?"</title>
				
		<link>https://honghuoart.com/How-Are-You-Feeling</link>

		<pubDate>Mon, 11 Dec 2023 15:48:17 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/How-Are-You-Feeling</guid>

		<description>

Communicating anxieties to those around us is difficult given the complex nature of our feelings. While the specifics of these feelings may vary, people are bound by the limitations of language from being able to fully communicate complex feelings. Our Kohler fellow project aims to explore these ideas through an animated short. The animation aims to make the audience think about language, and infer meaning from the movement of hand drawn shapes and figures. It is an age-old scientific question about how humans convey meaning to each other. The oldest forms of graphical media of communication are cave paintings that predate any record of written language by centuries. While language may have developed to be an extremely complex system via which we communicate, is there something fundamental about human thought that can be better expressed through images, specifically moving images? We want to communicate these questions to our audiences through a visual, physical, and evocative expression. 





	“How Are You Feeling?”Animated Short, 2021
Collaborated with Kushin Mukherjee (research) and Michelle Ramos (dance)
Produced and funded by 
















the Marie Christine Kohler Fellows program under
the Wisconsin Institute for Discovery’s Illuminating Discovery Hub



Research and&#38;nbsp;

&#60;img width="648" height="720" width_o="648" height_o="720" data-src="https://freight.cargo.site/t/original/i/1cb41f17d85909534ed3a46b52aec84f331c4ec2e485bddbd574e592f4bd0f52/bw-01.png" data-mid="199114371" border="0" data-scale="23" src="https://freight.cargo.site/w/648/i/1cb41f17d85909534ed3a46b52aec84f331c4ec2e485bddbd574e592f4bd0f52/bw-01.png" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="648" height="720" width_o="648" height_o="720" data-src="https://freight.cargo.site/t/original/i/cf2c4281e521d2b40f15d01fb535193ce3b4e239cd366c42d6e508990d31d2f1/bw-02.png" data-mid="199114372" border="0" data-scale="23" src="https://freight.cargo.site/w/648/i/cf2c4281e521d2b40f15d01fb535193ce3b4e239cd366c42d6e508990d31d2f1/bw-02.png" /&#62;&#60;img width="648" height="720" width_o="648" height_o="720" data-src="https://freight.cargo.site/t/original/i/2d9bbcd335a6cc09bcbe3bb3bbba83a5454cb029f1f377842f129d6d18635537/bw-03.png" data-mid="199114373" border="0" data-scale="24" src="https://freight.cargo.site/w/648/i/2d9bbcd335a6cc09bcbe3bb3bbba83a5454cb029f1f377842f129d6d18635537/bw-03.png" /&#62; &#38;nbsp;&#60;img width="648" height="720" width_o="648" height_o="720" data-src="https://freight.cargo.site/t/original/i/680e1c19d2d4ab4ee5e1fc266adeb13e80bedf4a6a0af29d8d4c7a26db54dde4/bw-04.png" data-mid="199114374" border="0" data-scale="24" src="https://freight.cargo.site/w/648/i/680e1c19d2d4ab4ee5e1fc266adeb13e80bedf4a6a0af29d8d4c7a26db54dde4/bw-04.png" /&#62;
&#38;nbsp;




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</description>
		
	</item>
		
		
	<item>
		<title>Design Works</title>
				
		<link>https://honghuoart.com/Design-Works-1</link>

		<pubDate>Sat, 12 Feb 2022 01:59:37 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/Design-Works-1</guid>

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InterVarsity Bible Study: Overview from InterVarsity twentyonehundred on Vimeo.
Motion design for graphics

&#60;img width="3300" height="2550" width_o="3300" height_o="2550" data-src="https://freight.cargo.site/t/original/i/0a63a710e2d95cdfb4f2e3bd3e8ff4c6a23c9db24ec1dc6bfb181202f64bfd27/graphic-design-portfolio26.jpg" data-mid="133240850" border="0"  src="https://freight.cargo.site/w/1000/i/0a63a710e2d95cdfb4f2e3bd3e8ff4c6a23c9db24ec1dc6bfb181202f64bfd27/graphic-design-portfolio26.jpg" /&#62;
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	</item>
		
		
	<item>
		<title>H</title>
				
		<link>https://honghuoart.com/H</link>

		<pubDate>Fri, 31 Dec 2021 02:50:50 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/H</guid>

		<description>H

	



















Fire(火-huo) as a material, and spiritual, which is the character my family use
to represent our family name Huo (霍). 



Red (红-hong) is a color of fire, blood, love, and affection. It’s the color
that embedded in my given name Hong ( 弘).



















Flower (花-hua) is a symbol and metaphor for the female body and feminine
feelings. It’s the primary inspiration for the visuals and movements created in
this exhibition—H.







Fire and red are the
components of my name, which also unveil the true essence of who I am. 


Flower is the literal and
metaphorical meaning of my art and my female body with temporal quality. As
someone living in-between overlapping layers of diverse cultures, religions,
and social systems,
I’m always searching for a visually inventive and authentic expression to
narrate my personal mythology as a Chinese, Christian female in a physical&#38;nbsp; and emotional sanctuary. 


The double layering effects
created by projection on sheer fabric, as a visual parallel to the double
images of self. Dancers as my imaginary selves, the dualism of body and soul
becomes unified in one space. The stories from two literatures become unified
as one visual experience.


I tend to create my own
sacred space to ritualize the materiality of my animation process, using a
diverse body of materials such as ink, paper, and neon light, and various
methods of hand-drawn and digital animation, live camera projection, and
performance, to connect myself to a deeper reality and imagination based on the
influences of the two classic literatures, but to also evoke emotional
responses and movements from other bodies. 


I wanted to say ‘as fire can
also be gentle, warm and bring light to those that are in darkness’, but
realizing the importance is to actually bring darkness into the light.





	
		
		
	
	
		
			
				
					
						Offering of Spirit 赋灵

Performance: collaboration with dancers Tye Trondson and Akiwele
Burayidi

					
				
			
		
	


	
		
		
	
	
		
			
				
					
						
An animation’s ‘Spirit-offering Ceremony’ (动画的赋灵仪式-term borrowed
from Chinese animation scholar Liu Shuliang) created on-site using my idea
‘animation as performance’. Dancers as my imagined bodies and doubles of
self. Spirit-offering as an action to empower the female body from fictional
world o reality. A way to ritualize my animation process in a theatrical
setting.


					
				
			
		
	


	
		
		
	
	
		
			
				
					
						&#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5e37d8c727fd2cf645560d8c9903b7864f60b8b8cc996f4c2e4c92dbb3d6693c/_DSC5912.JPG" data-mid="138903815" border="0"  src="https://freight.cargo.site/w/1000/i/5e37d8c727fd2cf645560d8c9903b7864f60b8b8cc996f4c2e4c92dbb3d6693c/_DSC5912.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/7ea0185dd979c5ebb312b50ca80eb8965dba7682de5be61e16732fc1374d021c/IMG_6488.JPG" data-mid="139384379" border="0"  src="https://freight.cargo.site/w/1000/i/7ea0185dd979c5ebb312b50ca80eb8965dba7682de5be61e16732fc1374d021c/IMG_6488.JPG" /&#62;
&#60;img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/00dfeab2a8fc522d4ea5b62bffe8767106788c97bf22b6ef7a21d53c089b6d74/_DSC5914.JPG" data-mid="138903816" border="0"  src="https://freight.cargo.site/w/1000/i/00dfeab2a8fc522d4ea5b62bffe8767106788c97bf22b6ef7a21d53c089b6d74/_DSC5914.JPG" /&#62;
&#60;img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e5484e5c34b263ba6a5a67f5248bf090891f38c49bed7732c0f9397f72ac5812/_DSC5888.JPG" data-mid="138903817" border="0"  src="https://freight.cargo.site/w/1000/i/e5484e5c34b263ba6a5a67f5248bf090891f38c49bed7732c0f9397f72ac5812/_DSC5888.JPG" /&#62;
&#60;img width="1888" height="976" width_o="1888" height_o="976" data-src="https://freight.cargo.site/t/original/i/5ff7f648e84a92f2c26cc954cc9d5e7b45db1bd7bb334d1369d8f7057c21a8f1/Screen-Shot-2022-02-09-at-10.07.56-AM.png" data-mid="199124290" border="0"  src="https://freight.cargo.site/w/1000/i/5ff7f648e84a92f2c26cc954cc9d5e7b45db1bd7bb334d1369d8f7057c21a8f1/Screen-Shot-2022-02-09-at-10.07.56-AM.png" /&#62;

Garments: red and pink silk organza fabricRed garment wore by artist is inspired by the aethetic from Dream of the
Red Chamber, and the Old Testament priestly garment.Pink garments for dancers are inspired by the overall aethetics of the whole
exhibition, especially the animation Garden of Red.Co-designed and made by Han-Ah Yoo.

					
				
			
		
	


	
		
		
	
	
		
			
				
					
						
Jewelry: brass, beads, artificial pearlsNecklace made from character 灵(spirit), separated into three parts, unified
in one, as the three-in-one God. Inspired by both Jia Baoyu’s precious stone
necklace from the Dream of the Red Chamber (also named Story of the
Stone), and the breastplate with the 12 stones (the 12 tribes of Isralites
parrallels with the 12 beauties from Dream of the Red Chamber) an Old
Testament priest would wear within the tabernacle performing a sacrifice
ceremony to God.Co-designed with and made by Xinchen Li.



	
		
		
	
	
		
			
				
					
						

	Started from a personal experience of emotional isolation and time of
despair.Made from live-action footage of the artist performing. Through
tracing the bodily gestures frame by frame, the affect of female desire, beauty,
and pain is being unveiled with the material of ink.

						
Meditation and primary inspiration from the book of Ezekiel in Old
Testament Bible, where God, as a man, adopted the nation of Israel,
represented as an abandoned girl found in blood. Even such an image is
used to provide understanding of the protection and love of God toward His
chosen people, the graphic dipiction of the female body lingers within me
with unspoken feelings.

						
Empathizing with the women, with or without names, who suffered various
degree of abuse and sexual violence from Old Testament by Phylis Trible’s
Texts of Terror. Most interestingly, one of central themes from Dream of
the Red Chamber is to evoke empathy toward the tragic destiny of all
women through the 12 main female characters (金陵十二钗).

						
Connecting to the current mystery of the chained woman found in a rural
village in eastern Jiangsu province China, which sparked public outrage
about human trafficking in China. The reality and terror of the female
experience from these seemingly fictional characters is still haunting us all
today.

						
This piece is to mourn, grief, remember, and walk with those who have been
ongoing martyrs to the progression of our society, unrecognized sacrifice to
our historiy.
	Pit of Blood 血窟red ink, rotoscope, hand-drawn frame by frame, with sound, projected on floor


	
		
		
	
	
		
			
				
					
						

	

					
				
			
		
	


	
		
		
	
	
		
			
				
					
						An ink garden of imagination and fantasy that is inspired by the idea of 大观园(Garden of the Grand View) in Dream of the Red Chamber, a sanctuary
and a heterotopia for the female bodies in a passed time of joy and sorrow.
Emphasizing through the female protagnist Lin Daiyu, adopted by her
relatives after losing both parents. The poem she made while burrying the
fallen flowers in the garden, 葬花吟 (Song of the Burial of Flowers) sees
flowers as metaphors of female bodies. The question Daiyu asked in this
poem-天尽头，何处有香丘?( Where is the land of rest for the flowers
beyond the end of the sky?) is timeless. The dream to be transformed to a
bettter place, the longing to find an eternal home of rest, is a myth for all
humanity.

						
As an important symbol in the Biblical narrative, the garden marks the
beginning and end of the unified kingdom of heaven and earth.

						
All drawings are hand-drawn with ink on paper, reference from The Manual
of the Mustard Seed Garden. Then composed digitally in Adobe Photoshop
and animated in After Effects within 2.5D space with a virtual camera.

						
According to Janpanese scholar Akiko Sugawa, ‘2.5-dimensional’ culture is a
cultura practice in-between of the fictional 2-dimensional world and the
realistic three-dimensional world. To me, the making of this animation is not
only a product of animated ink drawing, but also a process of exploration in a
fictional world of reality. A reality lays in-between my cultural and spiritual
identity.
	Garden of Red 红园Ink on paper, digital 2.5D animation, projected on layers of sheer organza fabric


	
		
		
	
	
		
			
				
					
						&#60;img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/bb6f97068b813c1e80a3263fe9903a9252b14f27b51164f8407b0b88a07144c5/_DSC5910.JPG" data-mid="138903814" border="0"  src="https://freight.cargo.site/w/1000/i/bb6f97068b813c1e80a3263fe9903a9252b14f27b51164f8407b0b88a07144c5/_DSC5910.JPG" /&#62;

	
A sign/signature/stamp of an invented character representing my name霍弘,

						
being embedded within the ancient character of 神(god) wrote with red ink.
Neon is a unique craft that involves process of melting glass by fire.

						
Inspired by how all humanity is made in God’s image from the Book of
Genesis.
	Image of God 神象neon, ink, plexiglass


					
				
			
		
	

	&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/bb232ab013b6eae39ddeedae8540c04775671b829b48a9fb2c3aa52844e76d06/IMG_1947.JPG" data-mid="128610349" border="0"  src="https://freight.cargo.site/w/1000/i/bb232ab013b6eae39ddeedae8540c04775671b829b48a9fb2c3aa52844e76d06/IMG_1947.JPG" /&#62;


	A collection of early thoughts of combining writings from multiple sources
into a book. A visual catalyst to my vision toward this exhibition, with its
material, aethetic, and approach in performing as a animating.

						
Placed in a found jewlry box, which is inspired by the lost tradition of
Chinese women using their own jewlry box as an altart for their daily
devotion of spirituality.

						
A sacred object in the ritualized event.
	Book of Red 红之书Mix media artist book with writings, ink drawing, printed photographs, and stiches of threads.


					
				
			
		
	


	
		
		
	
	
		
			
				
					
						</description>
		
	</item>
		
		
	<item>
		<title>Rong (Melt)</title>
				
		<link>https://honghuoart.com/Rong-Melt</link>

		<pubDate>Fri, 31 Dec 2021 02:50:52 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/Rong-Melt</guid>

		<description>
	
熔 means "Melt" in Chinese. It is composed by two parts: 火 and 容. 火 means fire, but it also looks like a person dancing; 容 has two meanings: contain and appearance. An experimental-narrative animation inspired by the myth of sword casting, recorded in Chinese historical novel Wu Yue Chun Qiu (吴越春秋). From one of the versions of the myth we were told that Mo Ye (莫邪), the wife of the famous sword caster Gan Jiang (干将), threw herself into the furnace to melt the iron to make a great sword for the king. I was touched and struck by the story, so I decided to make an animation. My idea of focusing on storytelling through the emotional part of the character before her death leads me into experimenting dance and charcoal rotorscoping. This piece is made to evoke feelings more than telling the detailed story. Both animation and sound are made and put together by me.Made in December 2017 at VCUarts.


	熔 Rong (Melt)animation and installation2017

	13 charcoal drawings that are left from animating



&#60;img width="6940" height="5055" width_o="6940" height_o="5055" data-src="https://freight.cargo.site/t/original/i/8ba002cc4172acbd82095b3a6acd53aa19cdc7871a0d4ed2d83ddc59e02bd398/drawing13.jpeg" data-mid="128608147" border="0"  src="https://freight.cargo.site/w/1000/i/8ba002cc4172acbd82095b3a6acd53aa19cdc7871a0d4ed2d83ddc59e02bd398/drawing13.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/b091b8d7b7037b863779000555453903f173f402fd464f606972eb4d20e363bf/drawing12.jpeg" data-mid="128608148" border="0"  src="https://freight.cargo.site/w/1000/i/b091b8d7b7037b863779000555453903f173f402fd464f606972eb4d20e363bf/drawing12.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/5fbf9a236d45ad098a743502655d9ba910bd46786f4c80086aadb33c2d31f7eb/drawing8.jpeg" data-mid="128608152" border="0"  src="https://freight.cargo.site/w/1000/i/5fbf9a236d45ad098a743502655d9ba910bd46786f4c80086aadb33c2d31f7eb/drawing8.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/7ee70dacb98a3bbc6672eccd37bd78c5802a99806add9c7bb020591d4da2ef5f/drawing11.jpeg" data-mid="128608149" border="0"  src="https://freight.cargo.site/w/1000/i/7ee70dacb98a3bbc6672eccd37bd78c5802a99806add9c7bb020591d4da2ef5f/drawing11.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/7cac10b07c03c50d1405b0eb4557addb7c604b8c7c4b77c087e9278ce88029d6/drawing10.jpeg" data-mid="128608150" border="0"  src="https://freight.cargo.site/w/1000/i/7cac10b07c03c50d1405b0eb4557addb7c604b8c7c4b77c087e9278ce88029d6/drawing10.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/5e98fc8d3f0218dc73f863eb974ca4248700253598812a268d86c5a68b376ab9/drawing9.jpeg" data-mid="128608151" border="0"  src="https://freight.cargo.site/w/1000/i/5e98fc8d3f0218dc73f863eb974ca4248700253598812a268d86c5a68b376ab9/drawing9.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/c29408a8b4d60faf73dd8016a51180079ca1f39082953947e99a46d0b18485af/drawing3.jpeg" data-mid="128608157" border="0"  src="https://freight.cargo.site/w/1000/i/c29408a8b4d60faf73dd8016a51180079ca1f39082953947e99a46d0b18485af/drawing3.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/79663eeed3d6968be916418c3d921f54aae0602886576a55c032b954bb1ee827/drawing4.jpeg" data-mid="128608156" border="0"  src="https://freight.cargo.site/w/1000/i/79663eeed3d6968be916418c3d921f54aae0602886576a55c032b954bb1ee827/drawing4.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/5da5f7e7852ba0f10ecde6af9f89a72bb5c4e6d6870e0166475b3a13c7b68f7a/drawing7.jpeg" data-mid="128608153" border="0"  src="https://freight.cargo.site/w/1000/i/5da5f7e7852ba0f10ecde6af9f89a72bb5c4e6d6870e0166475b3a13c7b68f7a/drawing7.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/182c800b580aec6893e088bb8ea64a67d58e08d875268e861a90b08b24f0facb/drawing6.jpeg" data-mid="128608154" border="0"  src="https://freight.cargo.site/w/1000/i/182c800b580aec6893e088bb8ea64a67d58e08d875268e861a90b08b24f0facb/drawing6.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/98e96f3e28b0bb2a20852eee725550859c561142a9dc31bbab167d9f2a7f68af/drawing5.jpeg" data-mid="128608155" border="0"  src="https://freight.cargo.site/w/1000/i/98e96f3e28b0bb2a20852eee725550859c561142a9dc31bbab167d9f2a7f68af/drawing5.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/fb65089ecc403d6370b342626eacd641349f2efedcfa3bfaf98e9b7ed93f9f10/drawing1.jpeg" data-mid="128608158" border="0"  src="https://freight.cargo.site/w/1000/i/fb65089ecc403d6370b342626eacd641349f2efedcfa3bfaf98e9b7ed93f9f10/drawing1.jpeg" /&#62;
&#60;img width="5374" height="3609" width_o="5374" height_o="3609" data-src="https://freight.cargo.site/t/original/i/24dad6ca1c30ba9b5b593d85aad054a404bbb97ab70661455f904986ad56217e/drawing2.jpeg" data-mid="128608159" border="0"  src="https://freight.cargo.site/w/1000/i/24dad6ca1c30ba9b5b593d85aad054a404bbb97ab70661455f904986ad56217e/drawing2.jpeg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Homepage</title>
				
		<link>https://honghuoart.com/Homepage</link>

		<pubDate>Fri, 31 Dec 2021 02:50:53 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/Homepage</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Bio</title>
				
		<link>https://honghuoart.com/Bio</link>

		<pubDate>Fri, 31 Dec 2021 02:50:53 +0000</pubDate>

		<dc:creator>honghuoart</dc:creator>

		<guid isPermaLink="true">https://honghuoart.com/Bio</guid>

		<description>
	



	
&#60;img width="1784" height="2496" width_o="1784" height_o="2496" data-src="https://freight.cargo.site/t/original/i/1aac12f766626cf8bcecae8549bc59f637c4456ed675cd667f02d1ff930c6241/Huo_Colloquium.jpg" data-mid="128608228" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/1aac12f766626cf8bcecae8549bc59f637c4456ed675cd667f02d1ff930c6241/Huo_Colloquium.jpg" /&#62;
&#60;img width="2121" height="2969" width_o="2121" height_o="2969" data-src="https://freight.cargo.site/t/original/i/b06af5b89b36924b869f8a21a214397c0339fe0ff0e73917141fd6c5899fd1af/IMG_1556.JPG" data-mid="160994759" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/b06af5b89b36924b869f8a21a214397c0339fe0ff0e73917141fd6c5899fd1af/IMG_1556.JPG" /&#62;
&#60;img width="2420" height="3388" width_o="2420" height_o="3388" data-src="https://freight.cargo.site/t/original/i/0f01f26aea68ecd1cdcc3bc087fa24360bd76d3d9212c52985f5d83672585185/IMG_1568.JPG" data-mid="160994761" border="0"  src="https://freight.cargo.site/w/1000/i/0f01f26aea68ecd1cdcc3bc087fa24360bd76d3d9212c52985f5d83672585185/IMG_1568.JPG" /&#62;
&#60;img width="2469" height="3456" width_o="2469" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6f05fa518c59a6b9ff4002031b9489b963ce6f8b3901261474fbb0fb9b1b836a/IMG_1570.JPG" data-mid="160994762" border="0"  src="https://freight.cargo.site/w/1000/i/6f05fa518c59a6b9ff4002031b9489b963ce6f8b3901261474fbb0fb9b1b836a/IMG_1570.JPG" /&#62;
&#60;img width="2468" height="3456" width_o="2468" height_o="3456" data-src="https://freight.cargo.site/t/original/i/49d588cf5c3dd49ef5f7ec413dbe92188c6f64bc6b06681339e16928eeb415a3/IMG_1604.JPG" data-mid="160994764" border="0"  src="https://freight.cargo.site/w/1000/i/49d588cf5c3dd49ef5f7ec413dbe92188c6f64bc6b06681339e16928eeb415a3/IMG_1604.JPG" /&#62;
&#60;img width="2468" height="3456" width_o="2468" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d349ca59e2a419fe5b5927188eea38bdd4e1fcca32f3d3b4a9e39965ed206814/IMG_1612.JPG" data-mid="160994766" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/d349ca59e2a419fe5b5927188eea38bdd4e1fcca32f3d3b4a9e39965ed206814/IMG_1612.JPG" /&#62;
&#60;img width="2468" height="3456" width_o="2468" height_o="3456" data-src="https://freight.cargo.site/t/original/i/3b4504de7d79ee72581ca041bc9a889c5320f9e43344d10c1330af435041fa2f/IMG_1615.JPG" data-mid="160994767" border="0"  src="https://freight.cargo.site/w/1000/i/3b4504de7d79ee72581ca041bc9a889c5320f9e43344d10c1330af435041fa2f/IMG_1615.JPG" /&#62;
&#60;img width="2468" height="3456" width_o="2468" height_o="3456" data-src="https://freight.cargo.site/t/original/i/1549a71adeda9b069f92b6a9abbded06352dbab6e54dd12b7458d06f48ed7708/IMG_1617.JPG" data-mid="160994769" border="0"  src="https://freight.cargo.site/w/1000/i/1549a71adeda9b069f92b6a9abbded06352dbab6e54dd12b7458d06f48ed7708/IMG_1617.JPG" /&#62;
&#60;img width="2469" height="3456" width_o="2469" height_o="3456" data-src="https://freight.cargo.site/t/original/i/032ecd9239349ba158855056ac86b5f234efc8146cd3c1dff724ab926d482328/IMG_1618.JPG" data-mid="160994770" border="0"  src="https://freight.cargo.site/w/1000/i/032ecd9239349ba158855056ac86b5f234efc8146cd3c1dff724ab926d482328/IMG_1618.JPG" /&#62;
&#60;img width="2049" height="2869" width_o="2049" height_o="2869" data-src="https://freight.cargo.site/t/original/i/387a352c9d9fd1454449ccc9983f502da58ddca83ca2d11f99b419a691d7dad5/IMG_1624.JPG" data-mid="160994772" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/387a352c9d9fd1454449ccc9983f502da58ddca83ca2d11f99b419a691d7dad5/IMG_1624.JPG" /&#62;
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Hong Huo was a Beijing-born artist who has been living and studying in the U.S. since 2011. Huo received her Bachelor of Fine Arts degree in Kinetic Imaging from Virginia Commonwealth University in 2017, and she graduated with a Master of Fine Arts degree in the 4D area from the University of Wisconsin-Madison in May 2022. Huo was a Kohler art fellow at the Wisconsin Institute for Discovery during the 2021-2022 academic year. Her interdisciplinary practice wanders between multi-media installation, experimental animation, and performance art, and her works have been exhibited and screened nationally and internationally including the U.S., South Korea, Italy, and the Netherlands. Her ongoing body of work Strange Dwelling was exhibited and performed in New York City for the Underground Art and Design (UAAD)’s hybrid exhibition Jukebox of Dissonance recently (October 2024), and she is currently collaborating on Li Chiao-Ping’s multimedia dance production Dirty Laundry as a visual artist, re-telling the hidden stories and invisible labor of Asian immigrants in the U.S. through dance and multi-media design. Huo is teaching Graphic Design and Digital Media at Messiah University in Mechanicsburg, Pennsylvania. 



	&#38;nbsp;Email me at&#38;nbsp;honghuohuo9@gmail.com Or DM on Instagram @huohonghhhhh
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